7 posts tagged “cal robbins”
Cal Robbins has just celebrated his second birthday. For a kid with Type I Spinal Muscular Atrophy, that is a huge accomplishment. In honor of this milestone, a bunch of musicians are holding a series of auctions to benefit this son of Jawbox frontman J. Robbins.
I've joined the fray and will auction off a cello arrangement of the song of the winner's choice. The auction ends in four days, so hop to it!
Also, I have a show that is almost confirmed for Sunday, February 17, at The Lab in Alexandria, VA. Several other talented local cellists will join for this concert... more information soon.
The show at Brooklyn's Union Pool on November 2nd was a blast. It was the first time i had ever played any of the Jawbox cello arrangements with other cellists. Somehow, through the Cello Mafia GrapevineTM, I was hooked up with Brooklynites Isabel Castellvi and Seth Woods, and I also recruited old friend (and former roommate) Jonah Sacks (Chris Brokaw, Dresden Dolls, etc) for the fourth slot. I spent countless nights struggling with Finale music software, and finally sent everyone parts for seven songs at nearly the last minute.
It actually was the last minute when we all met up at Isabel's apartment for the one and only rehearsal. Due entirely to the amazing musicianship and awesome attitudes of my fellow cellists, everything came together perfectly. At Union Pool itself, we were blessed with The Best (and most accommodating) Soundman Ever, who ran around for 45 minutes straight to ensure that four cellists, each with a different amplification style, all sounded great in the small rock club.
The show itself was awesome, and the crowd's response was incredible, especially considering we were the opening act. There is nothing quite like the sound of a live cello ensemble -- so much power and soul all at once. I can't wait to do it again.
The stage was really small, but we all fit! (Photo by J. Nordberg)
l to r: jonah sacks, isabel castellvi, seth woods, gordon withers
Copies of Jawbox on Cello: A Benefit for Cal Robbins, can now be ordered via Paypal by either going here:
http://www.myspace.com/threetoedmusic and clicking "Add to Cart" in the "About" section, or by going here:
http://trisloth.livejournal.com/profile and clicking the "Add to Cart" button in the middle of the page.
Please let me know if you have any problems with ordering. It should be configured so that you are required to enter a shipping address. You should also be able to order multiple copies in one transaction.
Thanks!
- Gordon
All of a sudden, in the space of a few weeks, the CD is done, and we have a benefit show set up for 8pm next Saturday at the Funky Buddha Lounge in Boca! Once the master was in hand, I scrambled to get it sent to DiscMakers, literally the next day -- just in time for them to promise delivery one day before the show. Hopefully there are no snags and the show will double as a CD-release party.
I updated the myspace page with four of the final mastered tracks, a couple of new pictures (thanks Cathy!!) and one video of me recording the bass track for "Reel."
Gotta run, but I will update again soon with more details about the show and album.
(note: for those of you wondering why I'm recording cello arrangements of Jawbox songs, please see the original post below)
It has been several weeks since I've seen any update on Cal's blog regarding his condition; I can only hope that the winter is being kind to Cal & family, and has not brought any more colds or complications. Likewise, internet traffic regarding Cal seems to have slowed lately; I'm hoping that as this album gets closer to completion, there will be a resurgence of interest.
Speaking of recording, I had a marathon session with Alex last Saturday -- we recorded three songs in six hours flat. The diplacusis thankfully has not come back, and I managed to go through the whole session with the headphones only on my left ear. Saturday's session added "Whitney Walks," "Savory," and an odd re-interpretation of "Consolation Prize" (from the album Grippe) to the seven songs completed so far. The latter song's arrangement was something I heard in my head while falling asleep one night -- I woke up thinking "damn, which song was that???", luckily figuring it out a few moments later. It ended up as basically just two tracks, one being the original vocal melody, and the other loosely based on the guitar line -- I'm happy with how it turned out. "Savory" was a challenge, as I'd never done it before, but it came out well too.
Sometime next week I'll rotate the samples on the MySpace page -- right now you can hear clips of three of the songs from Jawbox's self-titled album. Feel free to add the profile to your friends list.
On Monday night I checked out Uncle Sam's Music in Lauderhill -- Alex and I are currently working to set up a benefit show for Cal there for sometime in April. It's this awesome record store -- basically the closest thing to a Newberry Comics in South Florida -- and the owners have built a loft over the back half of the store where they hold shows. The vibe is fantastic, I can't wait to play there.
I'll take real pictures soon, but in the meantime, here are some cell-phone camera shots of the recording process:
a vocal mic is definitely the best to record cello, as the instrument is the closest of any to the sound of a human voice.
Not sure what half of this equipment does, but it looks cool.
A pre-requisite for getting through marathon recording sessions.
Please check back for more updates soon!
(note: for those of you wondering why I'm recording cello arrangements of Jawbox songs, please see the original post below)
Recording is going well -- Alex and I have four songs completed at this point: Iodine, Desert Sea, Tools & Chrome, and Spoiler. I broke down and started a Myspace Music page which includes 30-second samples of some rough mixes, so feel free to add it to your Myspace friends if you're into that sort of thing. I'll keep the major project updates on this blog, though.
Recently I set up a Google Alert to automatically email me daily blog/news updates on Cal Robbins, and it is so wonderful to see how many people in the music community are taking up his cause, organizing benefit shows, or just getting the word out. It would be impossible to quantify the impact Jawbox (and Burning Airlines and Channels) has had on so many musicians -- I've even received emails from people in Canada and France who credit Jawbox with changing their entire perceptions of music. Meanwhile, I've been anxiously checking Cal's blog for updates on his condition. When I listen back to what I've recorded so far, there is an audible sense of urgency in every track.
Yesterday afternoon I had what I thought would be a major setback -- the re-appearance of symptoms of diplacusis that I had once for a period of two weeks following a very nasty cold sometime in 1993 or 1994. Also called "double disharmonic hearing," it is the sensation of hearing the same pitch as two different tones in each ear At the time, I (probably unwisely) ignored it and it gradually went away, and luckily it seems to have disappeared again, this time overnight. It is such a strange and apparently rare condition that there is almost nothing written about it (it doesn't even have a wikipedia page. is that even possible in 2007??), and it took 30 minutes of various Google searches just to find out what it is. However, I did determine that it is caused by hearing damage, so no more earbuds for me, and when I'm recording I guess I'll only have the headphones over my left ear. With the symptoms, it is nearly impossible to play, as one can't tell if any particular note is in tune, so I am fervently hoping it doesn't come back.
This is the story of the making of a benefit album.
Like many indie musicians coming of age in the 90's, I fell in love with the DC band Jawbox. Their unique combination of intricate, sometimes haunting and often dissonant guitar melodies, poignant lyrics, and sheer visceral power spoke directly to my developing artistic sensibilities like few other bands. Their four albums (and amazing live shows) shaped my musical perspective permanently.
When faced with the task of an independent cello-related project for an Artist's Diploma at Brandeis University in 2000, I decided to arrange 11 Jawbox songs for cello quartet. I recorded the demos hastily in my Somerville bedroom, on a 4-track tape recorder, and the results delighted a small number of friends, the members of Jawbox, and the occasional random mp3-pirate who happened upon them via a file-sharing program.
Two months ago, I learned that Jawbox's former lead singer, J. Robbins, was dealing with some devastating news. It turns out that his and his wife Janet's 1-year-old son Callum was diagnosed with Type I Spinal Muscular Atrophy, a genetic disorder with no cure that is often fatal in infants. J. makes a modest living as a recording engineer, and it is unclear how much his single-payer insurance will cover for the substantial costs his young family is already starting to incur. Jawbox bandmates Kim Coletta and Bill Barbot have set up a donation page at the Desoto Records web site, and J and Janet have started a blog for Callum as well. So far there has been an outpouring of support from across the country -- several benefit shows have been held in various cities (including a recent well-publicized Ted Leo & The Pharmacists show in NYC), and many people have donated out of the goodness of their hearts, and out of a need to give back to musicians who have given so much.
I was planning on adding to the pool of donations myself, but something didn't sit quite right, so I held off. Then one day in early January as I was about to do something, I turned on iPod's shuffle function, and the first thing that came on was a Burning Airlines song (Burning Airlines was J's band after Jawbox). It was one of those rare but wonderful moments when everything crystallizes and you're able to see exactly what you have to do... I knew right then that the next few months would see me re-recording those Jawbox cello arrangements, but in a real studio this time, to ultimately release as a benefit album.
Logistics were an issue, but I knew in my gut that things would come together. I would put as much of my own money into recording as I could, but keeping in mind that any money I spent is money I could have donated directly to the Robbinses. I called up Alex Nelson, a musician, engineer, and partner at the Laboratory Recording Studio in Ft. Lauderdale. I had never met him or even seen the studio, but I had gotten a good vibe from our brief correspondence and from the fact that the Lab was a cooperative -- by musicians, for musicians.
It turned out to be a good hunch. Now it is the end of January, and I have two songs recorded, with another session booked for tomorrow night. Alex has been a godsend, and we are even talking about setting up a benefit show for Cal in South Florida for sometime in the near future. Meanwhile, Cal has just celebrated his first birthday, and the support from family, friends, and the music community has allowed him access to therapies and medical equipment he would not have known otherwise.
I have seen some criticism of the outpouring of support for Cal and his family -- it generally takes form of the typical philosophical question, "Why is this kid any more deserving than the countless others afflicted with this or any other disease?" The answer is, of course, that every child with SMA is just as deserving of help. But a recent post in the Space City Rock blog put it better than I could: "You can't help everybody, no, but that doesn't mean you shouldn't try to help at all." In my case, I could never put a monetary value on the influence Jawbox and Burning Airlines have had on my life and my approach to music. These songs are so hard-wired into my brain, with innumerable associations and memories forever linked in -- images of growing up in Central Pennsylvania, listening to music with lifelong friends, road trips, staying up late at night playing guitar, connecting with other music fans in college and beyond -- they are part of me. Of course I can't physically help everyone who has SMA or give all my money away to those who need it more than me, but I can do what I can for those to whom I feel connected. I'm not the world's greatest cellist, but I am probably the most qualified to arrange and record Jawbox songs -- and I think each of us has a similarly unique qualification or specialty that we can use to make the world a slightly better place. This project has a small focus, to be sure, but my hope is that beyond any beneficial impact it may have for Cal and his family, it could perhaps inspire similar gestures within the community of musicians or beyond. It may sound cliched, but we are all part of a larger family, and we should look after one another.
I will post regular updates here, and keep my eyes open for other mediums and channels to spread the word about Cal and SMA. Please feel free to leave a comment or send a message via the links on the right. I have created a public Google Calendar for tracking the progress of recording (see link below). There is a link on the right to subscribe to a feed of this blog. And if you have any ideas or know anyone who would be interested in helping with this project in any way, please do not hesitate to send a message.
Follow the album's progress via Google Calendar:
